The Arch of Titus (Italian: Arco di Tito; Latin: Arcus Titi) is a 1st-century AD honorific arch, located on the Via Sacra, Rome, just to the south-east of the Roman Forum. It was constructed in c. 81 AD by the Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or consecratio and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea. The arch contains panels depicting the triumphal procession celebrated in 71 AD after the Roman victory culminating in the fall of Jerusalem,[2] and provides one of the few contemporary depictions of artifacts of Herod's Temple. It became a symbol of the Jewish diaspora, and the menorah depicted on the arch served as the model for the menorah used as the emblem of the state of Israel.

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The Via Sacra used to be the main road in Ancient Rome. Translating into English as the Sacred Way Rome, it was the centre of commercial and everyday life in the city.

The Via Sacra Forum Romanum route – which runs from the Colosseum to the Capitoline Hill – was supposedly used from the 5th century B.C. Originally constructed to facilitate the route of any Roman Triumph (more on that later) it was covered very early on to protect the track from rain.

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The last civic basilica to be built in Rome, the Basilica of Maxentius and Constantine remains the largest structure in the Roman Forum, Rome. With its unsupported 3 colossal arches and vaults still standing along with part of its roof, the basilica is considered a triumph of Roman engineering.

Construction of the monumental basilica began under emperor Maxentius in 308 AD. However, before it could be completed, civil war erupted between Maxentius and the other emperors of the tetrarchy: Constantine I and Licinius. Maxentius was defeated by Constantine I at the Battle of the Milvian Bridge in October 312, and while Constantine still had not yet eliminated Licinius (which he would in 324), he completed construction of the basilica.

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An oratory putatively was established in the eighth century under Pope Paul I in the portico of the former Temple of Venus and Roma. Tradition holds that at this site Saint Peter prayed at the site to challenge Simon Magus. According to this legend, Simon Magus wanted to prove his pagan powers were greater than those of the apostles, and started levitating in front of Peter. The apostle fell on his knees to prayer, asking God to demonstrate his pre-eminence, and Simon fell, dying. Tradition holds that the basalt stones where the apostle's knees during prayer are embedded in the wall of the south transept

A church at the site was known by the tenth century, was named Santa Maria Nova (or "Nuova", "New St Mary"), to distinguish it from the other church inside the Roman forum devoted to St Mary, Santa Maria Antiqua ("Ancient St Mary"), which had fallen into ruin by then.

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A horreum (plural: horrea) was a type of public warehouse used during the ancient Roman period. Although the Latin term is often used to refer to granaries, Roman horrea were used to store many other types of consumables; the giant Horrea Galbae in Rome were used not only to store grain but also olive oil, wine, foodstuffs, clothing and even marble. By the end of the imperial period, the city of Rome had nearly 300 horrea to supply its demands. The biggest were enormous, even by modern standards; the Horrea Galbae contained 140 rooms on the ground floor alone, covering an area of some 225,000 square feet (21,000 m²). The amount of storage space available in the public horrea can be judged by the fact that when the emperor Septimius Severus died in 211 AD, he is said to have left the city's horrea stocked with enough food to supply Rome's million-strong population for seven years

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The House of the Vestal Virgins (Latin: Atrium Vestae; Italian: Casa delle Vestali) was the residence of Vestal Virgins,[1] located behind the circular Temple of Vesta at the eastern edge of the Roman Forum, between the Regia and the Palatine Hill. The domus publica, where the Pontifex Maximus dwelled, was located near the Atrium until that role was assumed by the emperors.

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The Lacus Iuturnae, or Lacus Juturnae or Spring of Juturna, is the name of a formal pool built by the Romans near a spring or well in the Roman Forum. The pool was part of a shrine dedicated to the water nymph Juturna, and the name Lacus Iuturnae is also used for the spring and the shrine, both next to the pool.

The shrine marks a place where Roman legend claims the divine twins Castor and Pollux stopped to water their horses while passing through the city, and where they announced Roman victory at the Battle of Lake Regillus, 495 BC. During the Roman Empire, when another spring in the city had dried up, the Vestal Virgins used this spring to supply water for their religious ceremonies. The water at the Lacus Iuturnae was thought to have healing properties. The elderly and infirm would go to the spring with offerings in order to secure the assistance of Juturna in curing their malady.

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The Basilica Julia (Italian: Basilica Giulia) was a structure that once stood in the Roman Forum. It was a large, ornate, public building used for meetings and other official business during the Roman Empire. Its ruins have been excavated. What is left from its classical period are mostly foundations, floors, a small back corner wall with a few arches that are part of both the original building and later Imperiale reconstructions and a single column from its first building phase.

The Basilica Julia was built on the site of the earlier Basilica Sempronia (170 BC) along the south side of the Forum, opposite the Basilica Aemilia. It was initially dedicated in 46 BC by Julius Caesar, with building costs paid from the spoils of the Gallic War, and was completed by Augustus, who named the building after his adoptive father. The ruins which have been excavated date to a reconstruction of the Basilica by the Emperor Diocletian, after a fire in 283 AD destroyed the earlier structure.

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The Temple of Antoninus and Faustina is an ancient Roman temple in Rome, which was later converted into a Roman Catholic church, the Chiesa di San Lorenzo in Miranda or simply "San Lorenzo in Miranda". It is located in the Forum Romanum, on the Via Sacra, opposite the Regia.

The temple was constructed by the Emperor Antoninus Pius, beginning in 141 AD. It was initially dedicated to his deceased and deified wife, Faustina the Elder. Because of this, Faustina was the first Roman empress with a permanent presence in the Forum Romanum. When Antoninus Pius was deified after his death in 161 AD, the temple was re-dedicated to both Antoninus and Faustina by his successor, Marcus Aurelius.

The temple was converted into a Roman Catholic church, the Chiesa di San Lorenzo in Miranda, perhaps as early as the seventh century, but it is only attested from the eleventh century work Mirabilia Urbis Romae. "Miranda" may derive from the name of a benefactress. At that time, it was thought that this was the location of the sentencing of St. Lawrence, Deacon and Martyr to death by the Prefect of Rome, hence its dedication

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Santa Maria Antiqua (English: Ancient Church of Saint Mary) is a Roman Catholic Marian church in Rome, Italy, built in the 5th century in the Forum Romanum, and for a long time the monumental access to the Palatine imperial palaces.

Located at the foot of the Palatine Hill, Santa Maria Antiqua is the oldest Christian monument in the Roman Forum. The church contains the earliest Roman depiction of Santa Maria Regina, the Virgin Mary as a Queen, from the 6th century.

Built in the middle of the 5th century on the north-western slope of the Palatine Hill, Santa Maria Antiqua is the earliest and most significant Christian monument within the Roman Forum. The church contains a unique collection of wall paintings from the 6th to late 8th century. The discovery of these paintings have given many theories on the development of early medieval art and given distinctive beliefs in archaeology. The church was abandoned in the 9th century after an earthquake buried the buildings; it remained sealed for over 1000 years until its rediscovery in the early 20th century. Therefore, Santa Maria Antiqua represents a key element for the understanding of the cultural and urban development of the Roman Forum from Antiquity into the first centuries of the Christian period.

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