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Pantheon

Pantheon

Fontana del Pantheon 01
Fontana del Pantheon 01
Pantheon Interior 04
Pantheon Interior 04
Pantheon Roof 01
Pantheon Roof 01
Fontana del Pantheon 06
Fontana del Pantheon 06
Pantheon Roof 02
Pantheon Roof 02
Pantheon Roof 04
Pantheon Roof 04
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DSC_0830
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DSC_0831
Piazza della Rotonda
Piazza della Rotonda
Largo di Torre Argentina
Largo di Torre Argentina
Piazza della Minerva
Piazza della Minerva
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DSC_0817
Piazza della Minerva
Piazza della Minerva
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About Pantheon

The Pantheon is the best-preserved building from ancient Rome and was completed in c. 125 CE. Its magnificent concrete dome is a lasting testimony to the genius of Roman architects and as the building stands virtually intact it offers a unique opportunity for the modern visitor to step back 2,000 years and experience the glory that was Rome.

The purpose of the building is not known for certain but the name, porch and pediment decoration suggest a temple of some sort. However, no cult is known to all of the gods and so the Pantheon may have been designed as a place where the emperor could make public appearances in a setting which reminded onlookers of his divine status, equal with the other gods of the Roman pantheon and his deified emperor predecessors. We are told, for example, by Pliny, the 1st century CE Roman author, that there were once statues of Venus (wearing a pearl once owned by Cleopatra), Mars, and Julius Caesar inside the Pantheon.

The Pantheon was built on the exact site of two earlier Pantheon buildings, one commissioned by Marcus Vipsanius Agrippa (27-25 BCE) and the second by Domitian. The first was destroyed by fire in 80 CE and the second was struck by lightning in 110 CE and again burned down. The third Pantheon was probably begun in the reign of Trajan (98-117 CE) but not finally finished until around 125 CE when Hadrian was emperor, who often convened the Roman Senate there. It is this version which still stands today in central Rome.

The Pantheon may well be the first building from Classical architecture where the interior is deliberately made to outshine the exterior. The circular part of the building or rotunda was entranced via two bronze doors measuring 12 x 7.5 metres (those of today are ancient but not original). The rotunda measures 43.2 metres or 141.7 feet in diameter which is exactly the maximum height of the dome, itself a perfect hemisphere. At the very top of the dome is an opening to the sky (oculus) which is 8.8 metres in diameter and has a decorative bronze sheet frieze. The dome is made from a light tufa and scoria (a type of pumice) mix of concrete (caementa) and its interior is further lightened by five rings of 28 coffers which reduce in size as they rise towards the centre of the dome. These may have been originally covered in bronze sheets.

www.worldhistory.org